Sharing some dreamy images from Liz Banfield on this Wedding Wednesday. We loved loved working on this wedding, and have since stayed good friends with the family, and since worked on many other projects together. So, that always makes my job even better, getting to create something for people you really care about! This couple had 1200 people at their wedding so creating a space large enough to accommodate that, yet still have it feel intimate was one of our biggest challenges.
The girls all started with a day of lunch and getting ready at the bride’s family home. The same car that would take the married couple from their ceremony to the reception took the bride and her mother to the church, spending that last bit of time alone together, which is one of my sweetest moments from recent weddings.
Guest boxes were packaged perfectly using the custom monogram that Lettered Olive created for all of the printed materials.
The bride’s style was traditional but also super modern. We went with an ice blue and grey color palette. Lots of squared/block shapes, clear acrylic, a modern monogram, and minimalist furniture were all part of the design aesthetic.
The couple was married at her family church, which is a charming historic church in the quaint Old Village of Mt Pleasant. The sanctuary was softened with a white carpeted aisle runner and bountiful flowers. The couple was married in front of a lush flower wall that hid much of the acoutremants found on an alter but not necessarily needed at a wedding.
If you can try to carve out any “alone” time to either eat, or just take a breather together as husband and wife, it’s a nice idea that I think you will appreciate after the wedding. This couple rode together alone from the wedding to the reception so they had a chance to discuss the emotions of the ceremony.
The reception took place at Boone Hall Plantation. Guests arrived to white gloved treatment from servers lining the walkway with trays of champagne, water, wine, etc. A carpeted aisle was laid, so that women’s shoes wouldn’t sink into the sand as they walked into cocktail hour.
This was a special surprise to the bride and her family. She had bridal portraits taken before the wedding which, as Southern tradition has it, are typically displayed throughout the reception. So, we had these blown up and hung at the entrance to the reception tent surrounded by a massive flower wall.
Once inside the tent, large lounge spaces and food stations were strategically places so that guests would have no problems getting bites to end and finding places to sit. All of the food was pre plated, making it super convenient for guest to grab and go and keep lines down.
A cake bar by Jim Smeal was a focal point in one are of the tent- 20 smaller cakes of different flavors were displayed around the centerpiece cutting cake to ensure that guests were all served and a variety of flavors were offered. The custom wedding monogram that was used throughout the printed materials was recreated in icing in a variety of ways and color combinations.
Edwin McCain (a close friend of the family) sang the Father/Daughter dance song. And, Josh Kelley (one of the couple’s favorite performers) performed for the crowd that evening.
You would have NEVER guessed, but this was the restroom trailer for this reception. With that many guests on the middle of Plantation grounds, we needed a lot of restrooms! So, instead setting them off to the side as an unfortunate necessity, we glammed them up with draping, chandeliers, lounge furniture to rest your feet or wait in line, and the guest sign in (Aka “Grains of Wisdom” a take on the bride’s maiden name of Rice). We wanted to make sure that nobody missed the chance to give their well wishes to the couple, and this was a place sure to get the most traction!
Of course, as the couple left, we had to bring in the traditional tossing of the “Rice”. However, wanting to protect the birds that inhabit the natural surroundings, we used Orzo pasta instead!
Lettered Olive created a designs that included an illustrated skyline, watercolor ombre palette, and marbleized modern details. The custom drawn Dallas skyline doted the save the “weekend” cards, while a simply stunning invitation featured modern fonts lightened up with a watercolor marble designed. Hatch Cove design hand lettered the outer envelops in the ombre palette. The ceremony programs were 2 sided cards, with the evenings timeline, seating chart, and highlights printed on the back side.
Lots of softening was needed to turn the century old train station into a dreamy ceremony space. Carpeting was laid and fabric panels were draped to create a cozy space… We printed fabric with the marble design from the wedding invitations and created panels to set a backdrop. Of course, lots of lighting and candles added to the ambience.
Keeping in the realm of a modern watercolor look, ombre tiles of acrylic in the color palette were fashioned into signage for the stations, giving a more formal feel to the seated/station setup. We love doing bar signage – always a better idea than displaying all of the bottles and offerings on the front of the bar.
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